[그룹] 노스텔지어 쓰루 노이즈
2022. 4. 21 - 6. 9
[Group] Nostalgia Through Noise
2022. 4. 21 - 6. 9
프람프트 프로젝트 개관 기념전시
이를 기반으로 음악을 구성하는 소리의 주요 요소인 색채, 리듬, 볼륨은 실로 음악 뿐만 아니라 미술에도 적용이 되는 표현이며, 조형적으로도 주요한 요건이다.
전시
전시는 음악과 미술을 아우르는 순수조형적 요소들: 색(톤), 리듬(운율), 크기(볼륨)를 기반으로 구성했다. 전시의 구성은 1층에 위치한 정희민은 리듬(운율)의 인상으로 시작한다. 음악의 대표적인 사조, 낭만주의 정서를 동 시대적인 감각으로 전유한 이 작품들은 스크린 자체를 하나의 공간이자 화면, 캔버스의 환영의 장으로 상정하여 각각의 캔버스들이 고유한 인상을 보여주면서도 그것들이 모아진 총체적인 감각을 동시에 상기한다.
뿐만 아니라 정희민이 다루는 3D 회화의 감각을 십분 발휘한 시리즈
Prompt Project is proud to announce Nostalgia through Noise, an inaugural exhibition of the space and a metaphorical expression signifying the recovery of sentiment through the collection of cadences, rhythms, and emotional sounds that vary from one another. The etymology of "nostalgia" is a composite of nostos (homecoming) and algos (pain, sorrow, anguish), symbolizing the ultimate recovery of sentiment.
Three elements of sound, color, rhythm, and volume, comprise music as well as art and formation in visual art.
Stemming from these core elements of art, Nostalgia through Noise showcases new works and unexhibited works of MeeNa Park, Heemin Chung, and Eunu Lee who employed different senses to create traversing musical and artistic sentiments.
The exhibition is comprised of art components that encompass music and art: color (tone), rhythm (cadence), and size (volume). Heemin Chung's works, on view on the first floor, open the exhibition with the impression of rhythm (cadence). Chung reinterprets Romanticism, one of the most representative musical trends, in a contemporary point of view across her works—each work assumes the screen as an illusionary space, scene, or canvas to display individualistic impressions while invoking a collective sense in entirety.
In On Vacation, Chung fully employs the artist's signature 3D painting techniques to depict waterside, drowsy lighting reflection on the water surface, and thoughts that surface from a void in dummy text clusters displayed in Lorem Ipsum. Lorem Ipsum means a placeholder text commonly used to demonstrate the visual form of a document or a typeface without relying on meaningful content, although texts are morphing into an image to narrate intuitive messages through texts themselves and their symbols, becoming an image to experience. Sensibly reconstructed into the images that transcend the digital and the real world, Chung’s works show specific and delicate sentiments of Romanticism in spatial displays and also portray visual and perceptual phantasmagoria in which the space remains in the painting.
전시 기획_전민경(더 그레잇 컬렉션)
참여 작가_박미나, 정희민, 이은우
주관_프람프트 프로젝트
Curator_ Zoe Chun(The Great Collection)
Artist_Park Meena, Chung Heemin, Lee Eunu
Sponsor_Prompt Project